TED KINCAID: THE WILD UNREST

Ted Kincaid’s installation of real and manufactured photographs explores a dialogue between the elements of earth, sea, sky, and the human figure. While seemingly disparate in nature, the selection of images is the artist’s investigation of the simultaneous emergence of the Aesthetic Movement of the 19th Century and the concept of homosexuality as an innate identity rather than a behavior. Using Walt Whitman, Thomas Eakins, and Herman Melville as artistic pioneers and cultural touchstones, Kincaid has blurred the line not only between real and manufactured realities, but also between real and imagined histories.

Central to this project is the concept that the artist’s identity manifests itself in his aesthetic response to all subject matter, and that the concept of “queer art” must extend itself beyond what is traditionally accepted as such. In short, Kincaid’s photographic response to the male figure, the deciduous landscape, and the rolling waves are inseparable — and should be viewed as a single, cohesive statement and body of work.

Over the course of two decades, Kincaid has systematically subverted the notion of an objective photographic record. As his art continues to explore the play between painting and photography, Kincaid is one of several artists creating a new painting informed by photo-imagery and a new photography influenced by painting. The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.

Over the course of two decades, Kincaid has systematically subverted the notion of an objective photographic record. As his art continues to explore the play between painting and photography, Kincaid is one of several artists creating a new painting informed by photo-imagery and a new photography influenced by painting. The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.

The Wild Unrest

  1. Academic Nudes (for Thomas Eakins) 0478, 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 1217,  2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 1218,  2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 1,2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 4, 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 0138, 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 1125, 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 1215, 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

15 x 12”     Edition of 10

  1. Academic Nudes (for Thomas Eakins) 7, 2019

Pigment on Hahnemühle Bamboo 290 gsm

22 x 42”     Edition of 5

  1. Academic Nudes (for Thomas Eakins) 8, 2019

Pigment on Hahnemühle Bamboo 290 gsm

20 x 16”    Edition of 5

  1. Academic Nudes (for Thomas Eakins) 10, 2019

Pigment on Hahnemühle Bamboo 290 gsm

20 x 16”    Edition of 5

  1. Academic Nudes (for Thomas Eakins) 11, 2019

Pigment on Hahnemühle Bamboo 290 gsm

20 x 16”    Edition of 5

  1. Open Sea 412, 2016

Pigment on Hahnemühle Bamboo 290 gsm

26 x 36”    Edition of 3

  1. Seascape 115, 2018

Pigment on Hahnemühle Bamboo 290 gsm

26 x 36”    Edition of 3

  1. Stormy Sea 222, 2018

Pigment on Hahnemühle Bamboo 290 gsm

22 x 22”    Edition of 3

  1. Stormy Sea 222, 2018

Pigment on Hahnemühle Bamboo 290 gsm

22 x 22”    Edition of 3

  1. The Wild Unrest 922, 2018

Pigment on Hahnemühle Bamboo 290 gsm

22 x 22”    Edition of 3

  1. The Wild Unrest 1030, 2018

Pigment on Hahnemühle Bamboo 290 gsm

22 x 22”     Edition of 3

  1. The Wild Unrest 924, 2018

Pigment on Hahnemühle Bamboo 290 gsm

22 x 22”    Edition of 3

  1. The Wrestlers (for Thomas Eakins), 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

34 x 84”    Edition of 3

  1. The Wrestlers 2 (for Thomas Eakins), 2019

Carbon Print on Hahnemühle Bamboo 290 gsm

38 x 38”    Edition of 3